I use abstraction to convey what words cannot.

I sculpt, burn, and stain wood, then saturate the surface with synthetic pigments. The forms emerge unstable yet radiant: organic material struck by color.

They appear estranged, unfamiliar, like instincts shaped in the wild, now saturated by screens and excess.

I return to the same conflict: how to reconcile the world that formed us with the systems we’ve built.